GH&F moves into its second office space — 300 LTV Center (now Trammell Crow Center)—in an attempt to look like the clients that the firm wanted to work for. It is the most expensive office space in town, which doesn’t work out well since a recession was just around the corner.
Larry Good becomes the president of AIA Dallas. During his tenure he collaborates with the Greater Dallas Planning Council to produce “Visions for Dallas” and loses the famous AIA Stetson signed by several dead Presidents.
Tammy Chambless wins the firm’s holiday design competition with a series of representations of the mythical town Ampersand, a project which celebrates the symbol appearing in the firm’s abbreviation GH&F.